Archive for illustrators

CLAW’s Great Yearly Ceremony for 2010

Elliot Trotter, Mark Monlux, James Stowe, RR Anderson Photo by Kevin Freitas

Elliot Trotter, Mark Monlux, James Stowe, RR Anderson Photo by Kevin Freitas

Rumors have been flying for the last month about the CLAW’s Great Yearly Ceremony. For a secret society that has been not-so-secret with its secret ceremonies, this secret ceremony was kept…well…pretty secret. In fact only a select few other than the membership were invited to the event, which was his in the historic Knights of Pythias Temple in Tacoma, Washington on the dark and gloomy evening of January 4th 2010. The extravaganza showed the changing of the guard with Two of the Four Eyes stepping down, and Two new victims being called into leadership.

Unlike other organizations, which have a democratic process to determine leadership, the CLAW thrust leadership upon its hapless membership. When you are called, you serve. Bu wa ha ha ha ha ha!

Shaking their mantle of responsibility were Elliot Trotter and RR Anderson, the masterminds behind the CLAW’s conception. Now sharing in the wealth of chores and labors are Jeff Hawley and Michael Shaudis. Remaining on the council for another year of sterling leadership are Mark Monlux and James Stowe.

The CLAW also took this time to semi-publically thank the Friend of CLAW, individuals who proved themselves to be very strong supporters of the CLAW. You’ve seen the invites, now you get to meet the recipients:

Kevin Freitas, Warren Caves, John Munn and Dave L. Photo by Kevin Freitas

Kevin Freitas, Warren Caves, John Munn and Dave L. Photo by Kevin Freitas

Kevin Freitas – Photographer Extraordinary, and creator of FeedTacoma.com
Warren Caves – Owner of Tacoma Art Supply
John Munn – Owner of Comic Book Ink
Dave L. – A Really Good Guy

Yet more rumors abound! It’s possible that the CLAW might make next year’s Great Yearly Ceremony available to the public. If you think that tickets, supporting the CLAW Student Scholarship Fund, would be a good idea, then let the CLAW know.

The CLAW sends a special thanks to the Knights of Pythias. The CLAW encourages its reader to check out the Knights of Pythias, who believe the ideals of loyalty, honor and friendship.

And here is Adam the Alien’s special Vlog-Tag of the event”

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Brian Despain Interview on Why He Paints Robots

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A Conversation with Draw Stanley Shaw, Cartoonist

Tonight we’ve invited one of Tacoma’s most prolific illustrators, Mr. Stan Shaw, into our temple lounge for an intimate conversation about his art, his life and his dreams yet to be realized. A reclusive and mysterious cartoonist, on odd numbered days (spirit willing), you can see him in the peripheral of a  C.L.A.W. sketchbook open swim meeting… he’ll be the tall, dark and scimitar wielding gentlemen reminiscent of Morgan Freeman’s character from the 1991 film Robin Hood Prince of Thieves. Really, there is no mistaking Mr. Stan Shaw.

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CLAW: Describe your methods of art production. Do you use a wacom tablet directly in Photoshop? Or do you sketch then pen+ink first?

STAN SHAW: Basically, I use tricks learned while traveling with Circus folk and grifters. But I do favor a few tools. My personal favorites are crow quill pens, Hunt 102 and the Intel Mac. I’ve worked conventionally (pen and ink, brush, cow chips, airbrush, pencil) and digitally (Flash, Photoshop, Illustrator, Painter, Sketchbook Pro, and InDesign) switching between a mouse and a pen stylus. I give clients fairly tight sketches for approval or feedback then develop from there using whatever tool or method works best for the project.

As far as comics go, look and speed are two big factors. For an Oscar Wilde story in Graphic Classics, I did very, very rough, tiny thumbnails in pencil, then went directly to producing final art in Painter. That went blindingly fast. (Thanks for reminding me.) For “Near Art” in City Arts, there were a bunch of steps: rough sketch, script, rough with lettering, tight pencils, blue-line pencil, corrections, inked art, colored art and finally, lettering. Slow going: two hours vs three days.

When I create art for myself, I work however. There’s usually some procedural experiment going on. Or inebriation.

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CLAW: You have worked with graphic giants like Art Chantry; your name invokes trembling from within the creative forces behind Beautiful Angle. How did you get to be so awesome? PART II: On a scale from 1 to awesome, how awesome are you.

STAN SHAW: Part I: Clean living and vitamins. Part II: Awesome is like a box of chocolates. There’s always the unexpected nut inside. Or, god forbid, some unidentifiable goo. I think Art, Lance and Tom are awesome. I find what they do so inspiring that it makes me want to do better stuff. (I feel a tremble coming on.)

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CLAW: Stan Shaw is a name synonymous with attractively drawn people, especially the ladies. Describe your moral perspective when it comes to nudity. Where do you draw the line (if you know what I mean)?

STAN SHAW: Moral perspective about rendering nudity? People are more willing to laugh at nudity than drool over it. Except for fans of internet porn (Mark, you know who you are.). Off the record? My cartoon characters look better in clothes.

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CLAW: What projects are you currently working on? What are some of your favorite projects? What is your take on the Obama with Hitler-stash phenomenon popular with republicans and other crazy people?

STAN SHAW: Current Work? Top secret wet work covert operations for a certain large software company to the north.

Fav Work? I like fun. I like cool. I like to think and challenge my abilities. I’ve been illustrating a weekly political column for The Village Voice. That’s interesting. Mostly, though, I like work that pays since, you know, Illustration is how I make my living.

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And I’m always looking for work: Please contact hey@drawstanley.com for a free estimate. Or share your budget, we’ll figure something out.

The Obama with the Hitler stash is real old school political cartooning stuff. But it lacks any real creativity. You can put a Hitler-stash on anything. (Try it at home! Kids, ask your parents first!) A more creative move had Obama sporting Vulcan ears.

For the record, I turned down a gig that was Obama-hatin’.

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CLAW: Why wont you join CLAW already? What are you afraid of… ? Stowe?

STAN SHAW: We should all be afraid of Stowe. He’s permanently connected to a computer via his Wacom. Maybe he’s a cyborg? Besides, HE DECORATES CAKES! That can’t be a good sign. And you’re mistaken. I am a member of CLAW, just not in the way most members become members, you know, by actually joining. And I don’t wear the fez or pay the dues or go to all the meetings.

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for more information on Mr. Stan Shaw visit http://drawstanley.com or subscribe to his blog feed here at http://www.drawstanley.blogspot.com/

But wait there’s more!

SPECIAL ‘STAN SHAW’ BONUS ILLUSTRATED CLASSIC LITERATURE COMIC (pdf download)

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