Elliot Trotter, Mark Monlux, James Stowe, RR Anderson Photo by Kevin Freitas

Rumors have been flying for the last month about the CLAW’s Great Yearly Ceremony. For a secret society that has been not-so-secret with its secret ceremonies, this secret ceremony was kept…well…pretty secret. In fact only a select few other than the membership were invited to the event, which was his in the historic Knights of Pythias Temple in Tacoma, Washington on the dark and gloomy evening of January 4th 2010. The extravaganza showed the changing of the guard with Two of the Four Eyes stepping down, and Two new victims being called into leadership.

Unlike other organizations, which have a democratic process to determine leadership, the CLAW thrust leadership upon its hapless membership. When you are called, you serve. Bu wa ha ha ha ha ha!

Shaking their mantle of responsibility were Elliot Trotter and RR Anderson, the masterminds behind the CLAW’s conception. Now sharing in the wealth of chores and labors are Jeff Hawley and Michael Shaudis. Remaining on the council for another year of sterling leadership are Mark Monlux and James Stowe.

The CLAW also took this time to semi-publically thank the Friend of CLAW, individuals who proved themselves to be very strong supporters of the CLAW. You’ve seen the invites, now you get to meet the recipients:

Kevin Freitas, Warren Caves, John Munn and Dave L. Photo by Kevin Freitas

Kevin Freitas – Photographer Extraordinary, and creator of FeedTacoma.com
Warren Caves – Owner of Tacoma Art Supply
John Munn – Owner of Comic Book Ink
Dave L. – A Really Good Guy

Yet more rumors abound! It’s possible that the CLAW might make next year’s Great Yearly Ceremony available to the public. If you think that tickets, supporting the CLAW Student Scholarship Fund, would be a good idea, then let the CLAW know.

The CLAW sends a special thanks to the Knights of Pythias. The CLAW encourages its reader to check out the Knights of Pythias, who believe the ideals of loyalty, honor and friendship.

And here is Adam the Alien’s special Vlog-Tag of the event”

CLAW: Describe your methods of art production. Do you use a wacom tablet directly in Photoshop? Or do you sketch then pen+ink first?

STAN SHAW: Basically, I use tricks learned while traveling with Circus folk and grifters. But I do favor a few tools. My personal favorites are crow quill pens, Hunt 102 and the Intel Mac. I’ve worked conventionally (pen and ink, brush, cow chips, airbrush, pencil) and digitally (Flash, Photoshop, Illustrator, Painter, Sketchbook Pro, and InDesign) switching between a mouse and a pen stylus. I give clients fairly tight sketches for approval or feedback then develop from there using whatever tool or method works best for the project.

As far as comics go, look and speed are two big factors. For an Oscar Wilde story in Graphic Classics, I did very, very rough, tiny thumbnails in pencil, then went directly to producing final art in Painter. That went blindingly fast. (Thanks for reminding me.) For “Near Art” in City Arts, there were a bunch of steps: rough sketch, script, rough with lettering, tight pencils, blue-line pencil, corrections, inked art, colored art and finally, lettering. Slow going: two hours vs three days.

When I create art for myself, I work however. There’s usually some procedural experiment going on. Or inebriation.

CLAW: You have worked with graphic giants like Art Chantry; your name invokes trembling from within the creative forces behind Beautiful Angle. How did you get to be so awesome? PART II: On a scale from 1 to awesome, how awesome are you.

STAN SHAW: Part I: Clean living and vitamins. Part II: Awesome is like a box of chocolates. There’s always the unexpected nut inside. Or, god forbid, some unidentifiable goo. I think Art, Lance and Tom are awesome. I find what they do so inspiring that it makes me want to do better stuff. (I feel a tremble coming on.)

CLAW: Stan Shaw is a name synonymous with attractively drawn people, especially the ladies. Describe your moral perspective when it comes to nudity. Where do you draw the line (if you know what I mean)?

STAN SHAW: Moral perspective about rendering nudity? People are more willing to laugh at nudity than drool over it. Except for fans of internet porn (Mark, you know who you are.). Off the record? My cartoon characters look better in clothes.

CLAW: What projects are you currently working on? What are some of your favorite projects? What is your take on the Obama with Hitler-stash phenomenon popular with republicans and other crazy people?

STAN SHAW: Current Work? Top secret wet work covert operations for a certain large software company to the north.

Fav Work? I like fun. I like cool. I like to think and challenge my abilities. I’ve been illustrating a weekly political column for The Village Voice. That’s interesting. Mostly, though, I like work that pays since, you know, Illustration is how I make my living.

And I’m always looking for work: Please contact hey@drawstanley.com for a free estimate. Or share your budget, we’ll figure something out.

The Obama with the Hitler stash is real old school political cartooning stuff. But it lacks any real creativity. You can put a Hitler-stash on anything. (Try it at home! Kids, ask your parents first!) A more creative move had Obama sporting Vulcan ears.

For the record, I turned down a gig that was Obama-hatin’.

CLAW: Why wont you join CLAW already? What are you afraid of… ? Stowe?

STAN SHAW: We should all be afraid of Stowe. He’s permanently connected to a computer via his Wacom. Maybe he’s a cyborg? Besides, HE DECORATES CAKES! That can’t be a good sign. And you’re mistaken. I am a member of CLAW, just not in the way most members become members, you know, by actually joining. And I don’t wear the fez or pay the dues or go to all the meetings.

for more information on Mr. Stan Shaw visit http://drawstanley.com or subscribe to his blog feed here at http://www.drawstanley.blogspot.com/

But wait there’s more!

SPECIAL ‘STAN SHAW’ BONUS ILLUSTRATED CLASSIC LITERATURE COMIC (pdf download)

Mark Monlux, RR Anderson and James Stowe ready themselves for battle.

When John Munn, owner of Comic Book Ink, opened his fine establishment to the members of The CLAW, we were under the illusion that he would only be able to fit in six illustrators. And with only three CLAW members participating (Mark Monlux, RR Anderson and James Stowe) and the store staff, it was thought we might be several hours of quiet and semi-lonely work. How wrong we were. A pack of teenage girls with endless idea and topics to fill the night took up residence at one table. Lone wolf cartoonists with no affiliation to anyone found tables and chairs. And there was an endless stream of customers came through. Most of those folks were bringing food to Stowe who offered to draw anyone who brought him grub into the strip. There were dozens upon dozens of store, and home prepped baked goods stacking up. I’ve not experienced such a sugar high since Halloween ’73. The place was filled with food, people, chatter, and a lot of potential distractions for are steady competitors.

A Gaggle of Giggles.

Regular participants and fans of the Frost Park Chalk Challenge dropped by, as did other CLAW members, and fans of The CLAW, to cheer on the competitors. All were directed to the Student Scholarship Fund Jar to make a donation. We are happy to report that during the 24 Hour Comic Challenge the fund grew from $100 to $368. Warren Caves, owner of Tacoma Art Supply, provided the largest contribution of $200. Many thanks to all those who stuffed a bill into the jar. All funds donated to the Student Scholarship during 2009 will be awarded to our next scholarship winner in 2010.

James Stowe and RR Anderson hard at work.

While the veteran Mark Monlux was a favorite to finish first with two previous 24 hours under his belt, his page count quickly fell behind early in the competition. And he would not regain ground. Meanwhile Stowe manages to produce each page just under an hour. He even had time to allow Kevin Freitas to establish a video feed from Stowe’s desktop and webcam to www.feedtacoma.com. Who exactly was watching Stowe draw at four in the morning we don’t know, but there were six viewers. And there were additional viewers during the sane hours. Even with the time taken to do computer tinkering Stowe managed to finish first and before the deadline. His victory dance was a thing of beauty. RR Anderson managed a final push in the last hours and completed the challenge as well. Even one of the girls from the gossiping horde at the next table completed her work under the deadline. Sadly, Mr. Monlux disappointed us all by only completing seventeen pages. He will carry his shame until he has a chance to redeem himself at the next competition.

The CLAW was proud to participate in the 24 Hour Comic Challenge. We thank Comic Book Ink for hosting both the event and us. Postings of the various stories created will be posted once we figure out the best was of dealing with file sizes. Meanwhile, here are some links to the story art posted at the artists’ websites.

Link to Stowe’s Comic.

Link to Monlux’s Comic.

See this wireframe diagram scrawled on a spiral bound cocktail napin? This drawing is going to change the world. And by world I mean Tacoma World and by drawing I mean the idea it represents: A FULL ON FEED TACOMA SUNDAY COMICS PAGE by your friendly neighborhood cartoonists. A line up of strips including but not limited to:

• MARK MONLUX with The Comic Critic and The Return of Stick Man
• RR Anderson with THE TACOMIC (political cartoon)
• ELECTRIC ELLIOT with Bob the Dog
• STOWE with DADDY’S NUT SHOT OF THE DAY
• Jeff Hawley with LOG JAM!
• MIKE SHAUDIS with Ocryx and Joe
• And MORE YET TO BE ANNOUNCED!

Why is this any different than other local collective comic sites like ALASKA ROBOTICS?  Because we are wedding LOCAL COMICS to a LOCAL NEWS/CLASSIFIED/BLOGGING site feedtacoma.com. At long last there will be absolutely no reason to purchase a newspaper like the TNT.  What is more you’ll have a strong personal connection to every comic strip illustrator.  For example say you’re sitting in a favorite dining establishment. You look over and see one of us at another table eating a sixth avenue dog or something.  You can say “hey man I like your cartoon strip!” or “Hey I thought your last strip was a real stinker! Why don’t you draw something funny like you used to do”  We’ll say Yes! You’re right! and BLAMO! A personal connection has been formed.  Next week you can tell your lover “Look, I told him to be funny again and heck if he didn’t do it! HAR HAR HAR!”  You just can’t do that with national syndicated strips.  You think the creator of GARFIELD gives two halibut craps about your and your problems?  NO SKIPPY!

Not only will our strips collectively be awesome, but you’ll be able to buy the strips.  You’ll be able to interact with the cartoonist instantly through comments. You’ll be able to sponsor a strip through cartoon product placement AND OR banner advertising.  YOU’LL BE ABLE TO DRAW IN THE FRIGGIN COMMENT BOXES!!!!!!!  HOLY CRAP I JUST BLEW MY OWN MIND!!!!!

New Member Michael Shaudis

June 24th 2009 was a momentous day in the life of Michael Shaudis. Having undergone the initiation ceremony at the CLAW’s Open Swim, he has now joined the ranks of absurdity. The new and improved back room at the Mandolin Café was filled with rejoicing, and an unusual amount of tea given the amount of testosterone in the room. Did I mention that our room sponsor, the Mandolin Café, has remodeled and now has a new and improved kitchen along with a enlarged back room that small, and even semi-big, group can rent for meetings and secret gatherings? Well, they do and might consider it a place for your next gathering.

Topics discussed were a comic page on Feed Tacoma, ideas tossed around at a recent Tacoma Circus meeting, Iron Artist at the Tacoma Art Museum, 24 Hour Comic Challenge coming on October 3rd 2009, the cultural significance of Eddy Izzard, and whether David Carradine truly was wearing fishnet stockings as he passed into the sweet hereafter. In short, if you weren’t there you missed a heck of a good time.

We came across the works of Derek M Ballard on a flickr stream an age ago. Possibly some of the most provocative erotic/underground zine work we’ve ever seen.  According to his myspace page his heroes are listed ” SHE-RA, HE-MAN, THUNDARR, JAYCE AND THE WHEELED WARRIORS…y’know, motherf**kers who don’t put up with bullshit.” The CLAW was lucky enough to catch up with Mr. Ballard for this brief and haunting interview.  Enjoy!

CLAW: Describe your methods of art production?  Do you use a wacom tablet directly in Photoshop? Or do you sketch then pen+ink first?

DMB: Usually, I have no idea what I’m trying to do. I start out by just drawing lots of random shapes with pencil. From there I can assemble the shapes into different things on my light table, and trace them onto vellum for inking. Once I’m done, I scan the images into Photoshop, clean up, and color.
I’ve never actually used a wacom before. It’s funny, a lot of people think I do. I wouldn’t even know how to begin.

CLAW: One of the striking things about your work is your I would describe as cubist-exaggerated characters & environments… is this style tied to any philosophical agenda?  Is there a better way to describe your signature cartooning style? (I think your art is ultra-awesome)

DMB: As a teenager I was a big fan of Thomas Hart Benton, Egon Schiele, and Max Beckmann. I was really into German expressionism in film, too. So, that stuff probably shows up a lot in my work.

As far as a philosophical agenda, I would rather not go into it too much and sound pretentious. I like to leave things open for each person’s own interpretation. I will say there’s a lot sub-level of stuff going on, lots of layers, and an intentional calculated placement of subjects, but I’m sure doesn’t come through for anyone but myself.

CLAW: A colleague once told me that the worst clients were church groups and tv stations. Tell our readers about your experiences with the adult entertainment publications…  Is this a niche market worth pursuing?

DMB: Working with adult publications was just about the best job ever. SCREW in particular was an amazing mag. I’m always surprised you don’t hear it mentioned more often. Fantagraphic’s EROS line paid well, too.  Unfortunately, the internet killed the demand for printed masturbation material and ads for hookers.

It’s good work if you can get it. I think Hustler Humor might still publish, and they have decent page rates.
I was fortunate enough to catch the last bit of the cartoonist’s gravy train for the better part of the last century that was porno mags. Life goes on I guess.

CLAW: Tell us about your zine projects.  Do you find zines to be the best choice to communicate with cult followers?

DMB: The dirty, DIY small press stuff is way more fulfilling to me. Plus, it’s really satisfying to put out work on a regular basis. Mini-comics and zines are the best option I have right now to serialize my work.
I enjoy everything about zines and mini-comics anyway. That’s where my interests lie. They just feel more real, more exciting, and more fun.

You can find all the coolest drawing in zines, and I LOVE drawing. If you look at all the zines I’ve been in you can see that they’re full of people who really enjoy it as well.
Nobody’s paying anyway, so why not do the cool stuff?
I’m just sayin’.

CLAW: Any other advice you’d like to share with our members and other aspiring cartoonists?

DMB:
Be happy.
Work a lot.
Do your own thing.
Make good decisions.
Use your time wisely.
Use your time wisely.
Use your time wisely.
Use your time wisely.
Be radical always.

CLAW: Citizens! The adventure doesn’t have to stop here. Keep up to speed with Mr. Ballard’s adventures via Myspace and Flickr

CLAW:  Can you tell our readers a bit about your illustration process? Do you start with a sketch? Ink/Color or Scan directly into photoshop, use a wacom etc?

ZS: I do a sketch the old-fashioned way: pencil on paper. I print out photo reference, if I have it, in black and white; I’ve tried in the past printing out ref in color but the color of the photos is distracting, I find. Then, depending on the piece and how much time I have and how I’m feeling about it, I’ll lay down some washes and stuff in gouache and scan that in and finish painting it digitally, or simply scan in the sketch and paint it entirely digitally.

I’m a very early riser, and pretty much all the campaign pictures were done between 3 and 6 in the morning, before I settled down to my regularly scheduled assignments for the day.

CLAW:  Adding Sarah Palin to the Republican ticket is considered by many political cartoonists a boon or a gift from god. Your Palin illustrations are obviously divinely inspired… can you friggin believe that?

ZS: What I can’t believe is that McCain chose her as his running mate. The painting I did of them entitled “The Morning After” truly illustrates what I think they both felt on November 5th. I know I’ve felt that way myself on more than one occasion!

By the way, I collected all my campaign satires into a book called “The Party’s Over”, available on Blurb and all the paintings can be seen in the Politics section of my website, in case your readers would like to see what we’re talking about.

CLAW: How much of a role does anger play in your political illustrations?

ZS: Plenty! I think anger is a great spark. When people tick me off it’s easy to skewer them, and to come up with ideas on how to do it.

CLAW:  Above all other political cartoonists you have managed to capture Mrs. Palin’s berserker snarl with frightening accuracy. Have you ever been to Alaska? (full disclosure: I’m from Juneau, Alaska).

ZS: No, I’ve never been up there, though if the place it littered with Palinesque individuals…well, I ain’t making plane reservations anytime soon.

About the insanely meat-eating expressions I did for my Palin satires: I used myself as a model for all her expressions. I’ve always used myself as the model for facial expressions. I have a hand mirror that I’ve grimaced and growled and snarled into for years.

CLAW: Many of our members/readers are intense fans of science fiction. Are there any behind the scenes stories you can share with us about your [Norman Saunders] dad’s Mars Attacks cards?  Does a science fiction background help you articulate (in illustration form) the horrors in real-life politics?

ZS: Hmmmm…well, I can tell you that my dad didn’t take Mars Attax seriously at all (it was just a job of “bug-eyed monsters” for him), and he was shocked when he discovered,at the one and only comic convention he ever attended, that he was a revered iller.

I have a little anecdote that I’ve often told about me and my dad’s paintings when I was a little kid. And it’s a true one. Here it is:

I used to “correct” my dad’s paintings, when he was away from his drawing board. Usually that would involve painting extra glamorous eyelashes on his damsels in distress. Years later, in my 20’s, I asked Dad if he knew that I used to do that and he said, “Of course I knew! I’d just go back in and paint them out.” It blows my mind, how patient he was about that. I’d kill a kid for doing that to my stuff!

CLAW:  Any money making/saving advice you’d like to share with your fellow artisans  (example: I recently purchased a pencil extender handle which lets me continue to use the pencil all the way to the nub)?

ZS: Hey! That’s funny you mention that pencil extender thing! I teach a senior thesis illustration class at The University of The Arts, and one of my students hipped me to that extender thing just last week. I’d honestly never seen one of those before!

Hmmm…trying to think of other tips… well, not buying stuff is a good way to save.

CLAW: Thanks for your time Zina!

Thanks for asking me to blather on!

CLAW: for more information on Zina Saunders visit ZinaSaunders.com